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The Shit Show

The Shit Show

An exhibition not to be missed – if you give a shit about World Toilet Day that is.

November 19th is World Toilet Day – when charities like Wateraid and organisations such as UNICEF raise awareness of the 2.3 billion people (that’s one in every three people on the planet) who don’t have access to a proper toilet.

It seems remarkable that a third of the world’s population don’t have sanitation facilities given the standard of living we’re used to in the ‘West’.

Wateraid are hoping to pique interest with The Shit Show, a free, poop-themed interactive gallery featuring art from some of America’s most acclaimed artists and something of a fun approach to a serious issue.

Currently confirmed artists include: Yoni Alter, Jon Burgerman, Nick Chaffe, Jhowee Chiang, Madeleine diGangi, Alan Foreman, Jacob Fradkin, Andy Gilmore, Dave Krugman, Anna Laytham, Mick Marston, Roger Mason, Caroline Melisa, Al Murphy, Alvin Ong & Cheri Ong, Diana Park, Robert Petrie, Matthew Reid, Ashkahn Shahparnia, Chairman Ting, Jessica May Underwood, Libby Vanderploeg and Susanne Walström.

The event is free to the public and will be held between 20-22nd November from 11am to 6pm at 103 Norfolk Street at Delancy Street – so if you’re in New York then get yourself down there to experience the shit!

You’ll have the chance to take a deep dive into the issue by interacting with various installations and viewing Wateraid’s award winning film Across the Tracks. Artwork from The Shit Show will be available for sale to benefit WaterAid’s water and sanitation programs in 37 countries across the globe.

Find out more about Wateraid in your country by visiting http://www.wateraid.org



Music Box by Kathy Hinde

Manchester Enlightened this December

International artists meet local talent at the Enlighten Manchester Festival of Light and Sound Art nestled in the heart of the German Christmas Market at the Central Library and Bridgewater Hall this December 10th – 12th.

With over 15 installations plus performances and talks, the festival celebrates light, sound, and literature, as part of UNESCO’s International Year of Light.

Boasting a world premiere of The Bremen Town Musicians, a music and live animation work inspired by the bestselling author Philip Pullman’s new translation of the Brothers Grimm fairy tales, the festival features a number of internationally acclaimed and award-winning artists.

Light artist Paul Friedlander, audio visual artist Kathy Hinde, and light and sound artist Ulf Pedersen will all exhibit world premieres as they headline the event.

Luminous Birds by Kathy Hinde

Luminous Birds by Kathy Hinde

Local artists include Scotsman Poet of the Year Adelle Stripe, graphic designer Trevor Johnson, light artist Elisa Artesero and photographer Andrew Brooks. Neon artist Richard William Wheater is working with Manchester-based youth leadership project RECLAIM sharing young people’s vision of what the city could look like in the future.

Following a successful pilot last year the festival will launch a new relationship with the extraordinary Manchester Central Library as the main venue to bring together exciting local and international talent, skills and energy with an ambitious programme after dark. Light works will also be on show at The Bridgewater Hall from leading audio visual artist Kathy Hinde and Liverpool contemporary composer Matthew Fairclough.

Andy Brydon, Curated Place and festival director said: “Being able to deliver the first full outing of a light festival in Manchester as part of the UNESCO International Year of Light with Central Library and The Bridgewater Hall is the best way we could launch a relationship with these brilliant venues.

“We’re all looking towards developing the light festival as an annual event to inject some high quality public arts into Manchester’s Christmas Celebrations. This year we have some of the UK’s leading sound and light artists collaborating at the boundaries of their disciplines helping us develop the festival from a pilot to a major family event. Next year we’re hoping for more.”

 

1000 Birds by Kathy Hinde

1000 Birds by Kathy Hinde

Enlighten Manchester will take place on the following dates:

  • Thursday 10th December: 4.30-8.00 pm (with launch performance from Psappha and Enrica Sciandrone from 6pm)
  • Friday 10th December: 5.30-8.00 pm
  • Saturday 10th December: 5.30-8.00 pm

Locations: Manchester Central Library, Bridgewater Hall

Price: Free-£5, booking required for Manchester Central Library

For more information visit http://www.enlightenmanchester.co.uk/



Beth Carter bronze sculpture

Beth Carter

On our recent trip to the big apple we stumbled upon the enchanting work of Beth Carter, which was being exhibited at the Bertrand Delacroix in the gallery-packed district of Chelsea.

Born in the UK and currently living in Bristol, Beth graduated from Sunderland University in 1995 and went on to be awarded 1st prize in the Northern Graduate Show ‘95 at The Royal College of Art.

Bertrand Delacroix Gallery New York

Bertrand Delacroix Gallery New York

Cast in bronze and other materials, her beautifully detailed sculptures combine mythological legends with the human form and range from life size to hand held.  The sculptures are set in unexpected poses and intimate human vulnerability, creating a delicate balance of intrigue and the strange that draws you in and captivates.

‘My work creates an allegorical world, often by integrating the human figure with animal form. I work within the realm of a sculptural tradition where the symbolic use of animal imagery has been a continuously potent source, I seek a new level of inquiry into these timeless themes, and in this sense my work is flavoured by a mythological and classical aesthetic.” -Beth Carter

Beth Carter Dog Mask Figure

Beth Carter Dog Mask Figure

If you wish to view Beth’s work (and I strongly suggest that you do) you can find her work on show at the following venues.

Axelle Fine Arts Galerie
472 West Broadway (soho)
New York, NY 10012
http://www.axelle.com/new-york/

Axelle Fine Arts Galerie
173 Newbury St
Boston, MA 02116
http://www.axelle.com/boston/

Beaux Arts gallery
12-13 York St
Bath, BA11NG
Will be showing new bronzes between now and November ( and beyond!)
http://www.beauxartsbath.co.uk/FORTHCOMING%20EXHIBITIONS.html

Bo Lee Gallery
‘ODYSSEY’
The Chapel of St. Barnabas, 1 Greek Street, Soho Square
Private View 9 October 6-8pm RSVP
Exhibition continues until 24 October
http://www.bo-lee.co.uk/#!exhibitions/c1jn0

And if you can’t get to any of those locations you can view her portfolio on her site.

http://bethcarter.co.uk



Water in Malawi - the SDG targets 100% water access by 2030

UNICEF on MDG SDG and WASH

Global Water Crisis

Water is a massive issue, with commentators suggesting it could cause more conflicts than even oil has.  Whereas there are alternatives for fuel, there is no alternative to water, and for that reason alone we should all be very concerned with global and local water issues.

UNICEF and Development Goals

Water and Environment Senior Advisor at UNICEF, Cecilia Scharp, has been a key player in ensuring a stronger focus on water and sanitation issues for the United Nations Sustainable Development Goals (SDG) – policy that will shape global development for at least the next 15 years.

These much anticipated goals – with the focus on sustainability – supersede the UN’s Millennium Development Goals (MDG) which covered the period between 2000 and 2015 and had a water target of reducing by half the number of people without safe water access.  That target, while achieved several years before the 2015 deadline, still leaves over 650 million people globally with no safe water access.

We asked Cecilia what was different this time around.

“The new Goal 6 is focusing on the whole water cycle, and for the two water and sanitation targets we’re talking about universal access; that is everyone is going to be covered everywhere.

“It also states that the targets should be affordable, sustainable, safe. There were lots of adjectives added that gives us the opportunity to work more broadly with the sector overall, and that for us is key.

“Previously in the MDG agenda there was a call to target only the population without access to water and sanitation, and if you look at the real purpose of having global goals it would be to drive an agenda, to drive policy, and for water and sanitation I believe those targets have made a real difference.  We were able to carry out a global monitoring, we could get more money to the sector, and more focus in countries for delivery of drinking water. The problem was though we did not necessarily reach to the most marginalised and vulnerable people.

Water in Niger- SDG ©UNICEF/2016/Niger/Ashley Gilbertson

©UNICEF/2016/Niger/Ashley Gilbertson

Sustainable Water Access

“But access is just access – unless you have the management systems, government systems, institutions, internal capacity, etc – this access is not sustainable.  So really the target is to drive innovation to monitor services in real time – to ensure they are better managed, more sustainable – and providers are held accountable by the people who use their services.”

Sounds simple enough right – the target of reaching 100% of the world’s population with sustainable water access? As Cecilia explained, the ‘devil is in the detail’. The targets are being translated into indicators for ongoing measurement to determine success levels around ‘safely managed water and sanitation’ addressing issues such as the length of time taken to collect water.

“There wasn’t a uniform definition previously on what access actually meant and it was up to the governments to decide what it meant. Now there is a growing consensus on a definition that talks about a 30 minute round trip including queuing and doing [filling containers] so it shouldn’t take more than 30 minutes for family to collect the water they need for the day.

“There a lot of things embedded in the indicators that we are fighting for the moment to really push the broader agenda and I think that will make a difference for us.  The other issue now is there are targets on hygiene, water quality and waste water management, so that’s another area that wasn’t at all addressed [in the MDGs].

“We know most countries release waste water directly into the environment without treatment. So there will be a push for understanding water quality broadly at the water point, at home when you drink it and now also- at the resource level, so for us that’s hugely important.”

From MDG to SDG

The water targets do go much deeper into society than on the previous set of goals, which the UN admits were constructed by ‘a group of experts behind closed doors’, whereas the sustainable development goals involved the 193 member states and ‘unprecedented participation of civil society and other stakeholders’.

Goal 6 of the 17 SDGs is to: Ensure availability and sustainable management of water and sanitation for all. And it comes with a number of proposed targets that also consider ecosystems, and water resources management, wastewater and pollution, and water use efficiency, alongside the water and sanitation issues.

While she may have preferred a more explicit link to health and education, Cecilia is pretty happy with the targets and says she wouldn’t have incorporated any additional focus on water at the expense of the 17 goals. Given the number of member states agreeing to the goals and the specific wording of the targets, it’s seen overall as a success.

But now the real test begins: “The challenge now is for the governments to take these goals, to make sustainable development strategies and to figure out how to implement them, and what this means in terms of financing and capacity developments, and institutional developments, technology, innovation etc.

“Now we have the goals we are struggling with the indicators, and that will be a very difficult process in itself because member states understand that this is where it starts to get real– and they need to show the global community that they can deliver.  That is why there will be a lot of political discussions in the coming months.

“I think previously we thought that developing the indicators was a technical task done by technical people, but now has become much more political and [member states] wants to have much more say and only ask UN agencies or other expert groups for support when needed.  This could be a bit unfortunate because we now have member states who are driving in different directions and they will go back to their constituencies saying ‘OK what is it we can do?’”

Cecilia explains that member states have their own agenda based on whatever situations exist in their specific country and this can affect the development of indicators and monitoring.  “From the UNICEF perspective we have been the ones together with WHO that have been monitoring water and sanitation so we have the set up on how to monitor and collect data how to analyse and present data, so we felt we were in good shape to propose indicators. Now member states work on that themselves but we hope they build on what is suggested building on experience.”

SDG - ©UNICEF/2016/Malawi/Ashley Gilbertson

©UNICEF/2016/Malawi/Ashley Gilbertson

Universal Access to Water

So given all the work that has gone into researching, consulting, and agreeing the next 15 years of global development targets, is there any confidence on achieving the goal of universal access to water, as the MDGs had been criticised by some for failing to provide water access for the very poorest, rural communities?

“Certainly we are really happy we had achieved the Millennium Development Goal on water, but obviously the inequalities with this achievement are huge.  The main gains were in countries like India and China but not in West Africa for example. If the progress rate from 1990 to 2013 in West Africa was replicated up until 2030 – we would miss the new target of universal access by a long shot.  At the current rate of progress, we would only be able to reach 75% access to safe water in West Africa – which isn’t good enough.  Those remaining 25% represent some of the world’s poorest people – and they must a priority in the next 15 years.

“Many countries have done very well and now Ethiopia has achieved its millennium development goal for water which is great, fantastic, but there are many many countries particularly in south of the Sahara that would have a huge struggle if we continue at the same pace.”

While some may be wondering if the SDG targets have overstretched themselves in their optimism, Cecilia is positive but realistic: “The 2030 goals are very ambitious is good to have ambitious goals – that’s where everybody should strive for.

“Countries facing the challenges of climate change or experiencing other humanitarian situations and political turmoil will continue to struggle, so it’s going to be challenging to meet the 2030 targets. If we ‘only’ have 663 million people remaining it’s still a huge number living without access to safe water. But with the correct political will and investment, I believe we can get there”

In order to reach the goal for 100% access Cecilia believes something ‘really radical’ will need to happen. Given the seeming increased conflict in the Middle East with a crisis in Syria where water is a potential underlying cause of the conflict and has been used as an instrument in the war, this poses even more challenges for meeting the SDG on water and it will be interesting to see how the UN, and UNICEF in particular, deal with this.

For now, and for the aftermath of the 70th UN General Assembly held in September, it’s a moment to celebrate for Cecilia and her sector on the culmination of several years of negotiation and consultation.  The goals are ambitious but provide the broad agenda that manages to encapsulate many more facets of water and sanitation provision than ever before.

For more information visit https://sustainabledevelopment.un.org/ or http://www.unicef.org/ or follow Unicef on twitter @unicefwater or facebook https://www.facebook.com/unicef

 



DUMBO’s Art Galleries Celebrate New Locations with Grand Reopening

The art season kicks off in DUMBO this weekend with the opening of new spaces for four of the neighbourhood’s galleries: KLOMPCHING GALLERY, Masters Projects, MINUS SPACE, and United Photos Industries. The galleries recently moved to the renovated Stable Building at the corner of Main and Water streets in DUMBO and will open new exhibitions on Saturday, September 12th, 6-9 p.m.

Previously located on 111 Front Street’s second floor, the four galleries moved to new ground-floor locations in the Stable Building in April of this year. Built in 1906 by Turner Construction Company as a stable for Robert Gair’s cardboard box manufacturing complex, the building is the one of the first examples of reinforced concrete construction in New York City. Now, over a century later, Two Trees Management Co. renovated the building to house four white cube gallery spaces with 16-foot ceilings and new storefronts with individual entrances. The renovation took place after Galapagos Art Space left the building to move to Detroit.

“We are so excited to open the new gallery spaces at the Stable Building. These galleries have called DUMBO home for years, and now they have prime locations on the ground-floor, where even more residents and visitors will be able to discover them and the incredible works on view,” said Lisa Kim, Director of Cultural Affairs at Two Trees.

Along the waterfront, A.I.R. Gallery, Porter Contemporary, and Usagi NY also occupy newly renovated gallery spaces along Plymouth Street. All DUMBO galleries will participate in a neighbourhood-wide gallery late night event next month on October 1st for the First Thursday Gallery Walk.

All exhibitions at the galleries are free and open to the public.

Exhibitions on View:
KLOMPCHING GALLERY, 89 Water Street
Max De Esteban: Heads Will Roll
On view through October 30, 2015
Heads Will Roll is the fourth and final instalment of de Esteban’s challenging and provocative Propositions series—a long term and rigorous investigation of society’s embracement of technologies, in particular, the dawn of the bio-cybernetic era.

Masters Projects, 91 Water Street
This Ain’t Main Street
On view through October 31, 2015
Masters Projects opens their new location at 91 Water Street with an exhibition of works by Shepard Fairey, Kaws, Banksy, Massimo Vitali, Skewville, Kris Chatterson, Nick Flatt, The Yok + Sheryo, and Amze Emmons.

MINUS SPACE, 16 Main Street, Suite A
Gabriele Evertz: The Gray Question
On view through October 31, 2015
MINUS SPACE is pleased to present a solo exhibition of new paintings by Brooklyn-based artist Gabriele Evertz featuring a suite of new large-format paintings investigating the colour grey.

United Photo Industries, 16 Main Street, Suite B
Anderson Zaca – Block Party: NYC Soul of Summer
On view through September 26, 2015
Block parties are the heart and soul of New York City summers. Travelling to all five boroughs, Zaca has been documenting this great NYC tradition since 2005, capturing over 200 block parties in all of their revelry.



Mark Ronson

Steve Coogan and Mark Ronson to star at Festival No.6

Festival No.6 has revealed some surprise special guests including the inimitable writer, actor, comedian and producer Steve Coogan.

The festival, held at the picturesque Italian-style North Wales village of Portmeirion, will witness the comedy genius holding court on the village’s Piazza on Saturday 5th September as part of the entertainment over the four-day event.

portmeirion

Portmeirion – copyright: (WT-en) Andyfarrell at English Wikivoyage

In this incredibly rare festival appearance Steve will be in conversation with writer and journalist Amy Raphael as they explore several themes including his exceptional career to date.

The festival has also announced another world first; a one-off live question and answer session with Mark Ronson and director of the new Amy film, Asif Kapadia.

Amy tells the incredible story of six-time Grammy-winner Amy Winehouse in her own words, featuring extensive unseen archive and previously unheard tracks.

No.6 has produced a special bespoke screening of Amy that will be followed directly by the Q&A, and will be the first time Ronson and Kapadia have appeared in public together to talk about the film.

The third surprise guest is Brit Award-winning soul-pop singer James Morrison, who will be opening the main stage at 2:30pm on the closing day of Festival No.6.

With his eagerly anticipated fourth studio album scheduled for an October release, James will be digging into his prestigious back-catalogue and premiering some brand new material.

An intimate, bespoke banquet of music, arts and culture, Festival No.6 takes place between 3rd and 6th September in the magical Italianate village of Portmeirion, Wales, home of the cult TV series The Prisoner.

Camping at the festival starts from £180 for adults, £80 for 11-15 year-olds and under 10s are free. For more information or to book tickets visit www.festivalnumber6.com



How secret trade negotiations are going to destroy the NHS among other things

 

Forget a referendum on Europe, there’s no way we’ll be allowed to leave the Union – but it will come at a perfect time for trans-national companies (TNCs) and US and EU governments who will likely be finalising the terms of the Transatlantic Trade and Investment Partnership (TTIP) under the radar and without any opportunity for our democratic input while we’re all distracted by the media attention on whether we should be in or out of Europe.

The basic premise for TTIP (an ironic acronym as the ‘tip’ is the best place for this trade agreement) is to allow the US and the EU to trade more freely without any of the current restrictions largely in place to protect us – think food standards, financial regulation (don’t laugh), and even democracy itself (according to journalist and campaigner George Monbiot).

Under the TTIP, the NHS will be privatised, there will be huge increases in GM food products from the US, and a relaxing of the stricter EU regulations on food standards such as the use of additives and pesticides.

Just as worryingly, there is scope under the agreement for private companies to sue the government if they believe they’ve been unfairly treated – for example if the UK government tries to return to the public the parts of the NHS that are already run by private companies.  This would mean TNCs having far more opportunity to affect government policies.

TTIP Trojan Horse

CC Image courtesy of greensefa on Flickr

David Cameron – you know, that one that for some unknown reason was elected into power earlier this year – has said the NHS is not under threat from TTIP yet he’s not removed it from the trade deal.  Economists have rejected claims from supporters of TTIP that it will benefit both US and EU working families.

Only last month the EU failed to ban 31 pesticides linked to cancer and male infertility following pressure from the US relating to the TTIP agreement.

There is pretty much nothing good about TTIP unless you are incredibly wealthy and you’re looking to get even richer while making more people suffer.

To find out more about the agreement and how you can get involved to support the opposition to this assault on our society then check out the following websites:

War on Want have a booklet you can download here

Online campaigning group 38 Degrees have a petition you can sign here

The Guardian newspaper have a dedicated section on TTIP here



Ice Hockey Playoffs 2015

Sheffield v Hull: First Semi Final

The first game of the 2015 Elite League ice hockey playoff weekend far exceeded expectations as the clear underdogs, Hull Stingrays, more than held their own against the odds-on favourites Sheffield Steelers in a highly physical and thoroughly entertaining game.

hull-sheffield-20150404-2934 hull-sheffield-20150404-2900 hull-sheffield-20150404-2894 hull-sheffield-20150404-2846 hull-sheffield-20150404-2839 hull-sheffield-20150404-2759 hull-sheffield-20150404-2661 hull-sheffield-20150404-2603

With very little between the two teams, Sheffield looked the stronger and edged the first period despite neither team scoring and it was a lot closer than most people expected. Nearly 2 minutes of 5 on 3 in Sheffield’s favour was negated through a combination of courageous defending and excellent netminding.

After a Sheffield goal had been washed out for high sticks (the refs went to the TV replay and what seemed an age, decided there had been an infringement) Hull took the surprise lead mid-way through the second period and that only seemed the provide Sheffield players with increased impetuous as they piled on more pressure getting the breakthrough from a blue liner looping shot from Hay.

You sensed this could be an opening of the floodgates as Sheffield continued to look the stronger and they poked home a go-ahead goal with a couple of minutes left in the period.

Final period was a tense and close affair, mirroring the pattern of the game so far. When Hull found a way to tie it up with a shot into the top corner, the dream was back on.

With both teams going close, Sheffield hitting the post and having the better of the chances, it looked like overtime was on the cards when the softest of penalties was called against Hull with 30 seconds remaining. This gave the Steelers a vital powerplay opportunity, which they took full advantage of; firing home the game winner with 3.8 seconds left on the clock.

Heartbreak for the Hull players and fans and a cruel way to end what was a tremendous effort after being largely written off before the game started.

 

Belfast v Coventry: Second Semi Final

The second semi-final always looked on paper as though it would produce the closer game, but with Hull putting on such a strong performance in the first of the day’s games, this one had a lot to live up to.

The patterns as it turned out, were very much the same. Belfast slightly the better side but the teams went in level at 1 each after the first period. Coventry’s goal being awarded following a video referral as the goal judge hadn’t seen the puck fly in and out of the goal so hadn’t lit the lamp. The Coventry players were sure they’d scored and remonstrated with the officials while play continued. Seconds later play was whistled down and the referees could check the footage and award the goal.

The game slightly lacked the intensity shown earlier in the day, but it remained a physical affair and it continued to be close in the second period with chances at both ends until Belfast went ahead on with a shot that ended up sneaking past the Coventry netminder.

It got scrappier as the game went on and Coventry tied the game in the final period with a peach of a strike into the top corner of the net. Overtime and penalties were always on the cards in this match and with Stewart in the Coventry net finding some great form over the last few games, you fancied they could nick it in a shoot-out.

The Sheffield Steelers would have been enjoying this game purely from the effort and energy expended by their final opponents and they look clear favourites for the title.
belfast-coventry-20150404-3133 belfast-coventry-20150404-3013 belfast-coventry-20150404-3023 belfast-coventry-20150404-3025 belfast-coventry-20150404-3059 belfast-coventry-20150404-3070 belfast-coventry-20150404-3088 belfast-coventry-20150404-3094 belfast-coventry-20150404-3099

 

Sheffield v Coventry: Final

A breathless first period came to a close with Coventry taking an unexpected 1-0 lead into the intermission having been the better side in all areas of the ice. The game was physical and tough and Coventry were winning the battles in the corners and breaking down the Sheffield attack in the neutral zone time after time.

When Sheffield did get through they were met with extreme resistance by Stewart who was standing tall in nets. The Yorkshire team looked rattled in the first period, but their heads must have been spinning in the dressing room at the end of the second as Coventry ‘blazed’ their way to a 4-0 lead with just one period to go.

Sheffield clearly came out in the third to target Stewart and they ran him several times without the Blaze defencemen being tempted into dropping the gloves. The breakthrough came when Stewart was way out of his crease retrieving his stick that had been kicked from his grasp. Roy picked up the puck and shot from his own half into the empty net.

Another quick Sheffield goal followed while shorthanded as a clearly upset Stewart appeared to be calmed down by referee Darnell. All the momentum was with the Steelers and it was game on just 6 minutes into the final period.

Despite intense pressure from Sheffield, the Blaze players and goalie regained some degree of composure and managed to hang on for a well-deserved victory.

More pictures can be found on the Facebook page

sheffield-coventry-20150405-3610 sheffield-coventry-20150405-3658 sheffield-coventry-20150405-3703 sheffield-coventry-20150405-3713 sheffield-coventry-20150405-3543 sheffield-coventry-20150405-3587



The Subways – The Institute Birmingham

On the opening night of their UK tour, promoting their eponymously titled new album, The Subways have a surprise in store from the outset as drummer Josh Morgan is beating the skins again after a recent break due to illness.

With the original triumvirate restored, they waste no time in instigating intense moshpit action by playing old favourite ‘We Don’t Need Money to Have a Good Time’, a nostalgic ode for many in this crowd who would probably yearn for a return to summer nights as a teenager, when you could chill in a park until dusk and beyond.

The Subways as well as marking their new album are keen to reflect on the tenth anniversary of their spunky debut, ‘Young for Eternity’, a much hyped record on release but only created enough ripples in the charts to ensure they build a solid fanbase as opposed to hitting the major leagues. I also believe that because the template for future albums adopted a similar path, it’s hard to differentiate between their material in terms of standard. Four albums of affable pop-rock keeps the core fans entertained but an attempt to diversify might have led to a shift in success and critical acclaim.

However, they charge through songs with such gusto and intensity, the crowd aren’t overly concerned by the set not delivering any leftfield tunes, or rarely mixing up the tempo. It’s a case of sticking to a tried and tested formula: songs with simplistic melodies, banal lyrics but triggers collective bouncing and jostling throughout.

Signature hit ‘Rock ‘n’ Roll Queen is played mid-set; a suggestion in the band’s confidence in their newer material is how many of their better known songs are played early. It’s an effective ploy as it ushers in crowd engagement early and this shows no sign of abating.

When it comes to lists such as ‘The Greatest Songs of All Time’ and ‘The Greatest Albums Ever’, The Subways are going to be struggling to make the longlist, but in the category of “throwing a rock ‘n’ roll party”, The Subways are in the upper echelons. After all, it only cost sixteen quid to have a good time. And closing with ‘It’s a Party’ suggests they would be in accordance with that viewpoint.



Idlewild – The Institute Birmingham

Reunions tend to either be a cash-in on past glories, fun but lacking genuine validity, or they can be an opportunity to showcase an evolution within the band as well as providing a timely reminder of the bands’ past. Idlewild, who have reconvened after a self-imposed five-year hiatus, definitely fall into the latter category.

From the outset of their show at The Institute, the power-pop of ‘Nothing We Can Do About It’ indicates Idlewild have expanded their instrumental repertoire, adding multi-instrumentalists, Lucci Rossi, Hannah Fisher and Andrew Mitchell, to their original three founder members. It facilitates a chance to rework older tracks, a fact reflected on the band’s biggest hit, ‘You Held the World in Your Arms’, which has morphed into sounding like folk-tinged euphoria. Next, they seamlessly move into a punchier version of newbie ‘Collect Yourself’, offering guitarist Rod Jones an opportunity to exhibit his full arsenal.

After the crunching, spiky old favourite ‘Little Discourage’ we get treated to the vocal delicacies of singer, Roddy Woomble, who, even approaching forty, remains svelte and hits the harmonies with as much beauty as ever, especially on the elegiac new song ‘Every Little Means Trust’. ‘Live in a Hiding Place’ and ‘Love Steals Us from Loneliness’ only add to the feel good factor permeating the room.

Midway through the set and Idlewild shift the tempo up a gear, harking back to their punk roots, they play early single ‘Film for the Future’ with machine-like precision before segueing into a snarling, nasty ‘Captain’, leading to the evenings first sings of moshpit carnage. A self-declared rock medley to remind the audience that Idlewild haven’t forgotten their earlier incarnation as a post-hard-core/punk group, although representation of this period was a little sparse given the set’s length of 22 tracks.

‘Roseability’ and ‘American English’ are sung with soaring grandeur by band and crowd, before closing with ‘utopia’, a new song that underlines the rich depth of Idlewild’s current sound.

The band return for a four-track encore, hitting a cacophonous peak with the turbo-charged blast of ‘Modern Way of Letting Go’, inciting a full scale circle pit that took no prisoners. And, in keeping with the evening’s varied tone, they close the set with the plaintive melancholy of ‘In Remote Part/Scottish Fiction.

Idlewild’s career is a fascinating one as they have managed, in a way Oasis didn’t, to evolve their sound and adapt to personnel changes, commercial fluctuations and a changing musical climate. This return not only underlined the strong back catalogue they’ve assembled over two decades, but showcased a band who have discovered their most complete and diverse sound to date. This was a band revitalised by a break, not intent on recapturing their past.